PUKYONG

남성 모피패션에 나타난 이미지에 관한 연구

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Abstract
Thirdly, as a result of analyzing the collection from 2010 F/W to 2015 F/W, there were classic, casual, elegant, active, sophisticated, natural, avant-garde, romantic, military and marine image appeared in the male fur fashion. Classic image mainly showed in coat, jacket designed by Raf Simons, Moncler and Dunhill and expressed traditional and conservative atmosphere by using soft and detailed luxury fur in the slim silhouette fit to the body. Casual image appeared in the vest, jumper, coat designed by Etro, Andrea Pompilio and Louis Vuitton displaying natural and comfortable image using similarity coloration in the oversize silhouette. Elegant image appeared in the coat and jacket designed by Gianfranco Ferré, Gucci and Dior Homme using luxury fur with excellent shining of achromatic color in the slim silhouette displaying masculine dignity and class. Active image appeared in the jumper, coat and blouson designed by Philip Lim, Walter Van Beirendonck and KTZ displaying dynamic and young image by using material such as fur of clear color, zipper and rubber band in the soft and natural silhouette. Sophisticated image appeared in the jacket presented by Versace, Gucci and John Richmond displaying sexy closely dressed chic using mink of dark color and slim and concise silhouette. Natural image appeared in the coat designed by Duckie Brown, John Rocha and Christopher Raeburn displaying comfortable and free image using fur that seems not to be processed in the vertical type oversize silhouette. Avant-garde image appeared in the coat designed by Maison Martin Margiela, Amapô and Christian Dada displaying creative and individual beauty by using patchwork with fur of various colors in the silhouette neglecting form. Romantic image appeared in the vest, round neck shirts and coat designed by Damir Doma, Costume national homme, Sibling and Saint Laurent Paris displaying soft and light image using fur of egg colo type in the soft and slim silhouette. Military image appeared in the jumper, jacket, coat and pants designed by Burberry Prorsum, Versace, Roberto Cavalli, Etro displaying strong and masculine image using fur processed in camouflage patter in the stiff vertical type silhouette. Marine image mainly appeared in the coat designed by Burberry Prorsum, Andrea Pompilio, Ermanno Scervino and Louis Vuitton displaying comfortable and elegant image using fur of navy and beige in the slim and concise silhouette.
By the above research it can be seen that the male fur fashion started from draping the leopard or lion fur for symbol of god of abundance Osiris by the King and chief priest in the ancient times to start wearing to show status and class in the middle ages · modern times · modern civilization and popularized coming to today. Especially in the 21st century, it can be seen that fur fashion appearing various images by each trend by fashioned and diversified by the famous designer brands. In short, fur fashion of male could be seen to express various images by aiming personal taste and individuality through differentiated style and the symbolization such as class, status, authority that was intended in the past male clothing has gone.
Author(s)
이희영
Issued Date
2016
Awarded Date
2016. 2
Type
Dissertation
Publisher
부경대학교 대학원
URI
https://repository.pknu.ac.kr:8443/handle/2021.oak/12962
http://pknu.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000002238227
Affiliation
부경대학교 대학원
Department
대학원 패션디자인학과
Advisor
김정미
Table Of Contents
목 차

Abstract ⅶ

제 1 장. 서 론 01

제 1 절. 연구의 목적과 의의 01
제 2 절. 연구의 방법과 범위 02

제 2 장. 모피에 관한 일반적 고찰 04

제 1 절. 모피의 정의와 종류 04
제 2 절. 모피의 가공법과 제조과정 18

제 3 장. 남성 모피복식의 역사적 고찰 20

제 1 절. 남성 모피복식의 변천과정 20
1) 고대 20
2) 중세 22
3) 근세 24
4) 근대 30
5) 현대 31
제 2 절. 결과 및 논의 42

제 4 장. 남성 모피패션에 나타난 이미지 분석 44

제 1 절. 2010년 이후 모피패션의 특징 44
1) 사회 · 문화적 현상 44
2) 남성 패션 트렌드 46
3) 남성 모피패션 51
제 2 절. 남성 모피패션에 나타난 이미지 57
1) 클래식 이미지 57
2) 캐주얼 이미지 60
3) 엘레건트 이미지 63
4) 액티브 이미지 66
5) 소피스티케이티드 이미지 69
6) 내추럴 이미지 72
7) 아방가르드 이미지 75
8) 로맨틱 이미지 78
9) 밀리터리 이미지 10) 마린 이미지 84
제 3 절. 종합적논의 88

제 5 장. 결 론 90

제 1 절. 요약 및 결론 90
제 2 절. 연구의 제한점 및 제언 92


참 고 문 헌 94
Degree
Master
Appears in Collections:
대학원 > 패션디자인학과
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