PUKYONG

윤대성 초기 희곡의 서사극적 특성 연구

Metadata Downloads
Alternative Title
Study on the Epic theater Characteristic of Yoon Dae-Sung's Early Play
Abstract
Yoon Dae-sung in the theater of us who have been without a mainstream realism play in the 1960's and 70's has been attracting attention as a writer who attempted fusion of traditional Korean drama and Western Europe very experimental. In this paper, Yoon Dae-sung, was focused on the surface by utilizing the technique epic escape from playwriting technology a welcome principle of existing, will continue to strengthen the structure of the parametric communication. In order to visualize by techniques dramatic epic inconsistencies to the material incidents actual place time, actually exists, can look objectively and structure truth hidden reality techniques these writers providing a viewpoint which is able to present a possible and offers the audience critically absurdity of society. Today, with the entirety of the two v Bertolt Brecht is not until. In this paper, based on the technique of epic drama and theory of epic theater of Brecht, in the top of the layer of narration of the inside of Yoon Dae-sung initial drama of epic playwright and typical was investigated.
First, in Section 2, epilogue commentator is a device for exposing the alienation effect and alienation effect is an important component of the theory of epic drama in order to lay the foundation for the analysis of work, music, and preface, audience was aimed at the overall understanding of the epic drama format by looking at lines towards, about the concepts and principles of play within a play.
In the third chapter, the subject of the analysis and Among the first drama of Yoon Dae-sung, was examined from formal aspects and aspects of content and. In terms of content and a, we discussed with distinction critically conscious of the character and comic characterof two works. Second, I examined the form aspects of the grand dramatic characteristics and .
The borrowed material of true story and historical events, has reclamation a critical distance to show the contradiction of reality through ho and old monk characters and Gangsoe in it and .
In addition, the writer is using the technique of play within a play of the internal structure and generic structure for two yuan of the spatial structure.
And in the episode therapy scene structure, it occurs by drawing the activities and ideological quest of historical figures, shape of these people of the conflict the person took a theatrical imagination of the use of chorus and grand ego to experience I want to play an auxiliary role to support the resolution. Magnificent technique appearance of commentators that appear in through the above discussion and , method of play within a play, the use of the chorus, and setting episode therapy scene leads to alienation effect with the expansion of space I have confirmed that. Yoon Dae-sung has been exploring the direction of evolutionary also socially personally by exposing confirm the absurdity of reality through the use of the appearance with a spectacular dramatic content. Our tradition of theater trends epic drama emulate entertaining representation of the structure as shown by Western epic drama from Brecht's affected family can be divided into two kinds of things. It was confirmed that they have attempted writer tries to fuse traditional play and experiment play in the Western double. On the other hand, it appears that, unlike , and directly affected the technique of epic drama of Brecht .
Yoon Dae-sung has been put in the work of both of the two trends of epic drama that was shown in Korea, and solidified its position as the epic playwright in consideration the new experimental dramatic elements of their own on top of the foundation have. The first drama of Yoon Dae-sung to encourage participation and reflection of via the alienation effect with the audience and realistic appreciation of the time. Drama of Yoon Dae-sung for you, can be understood to correspond theatrical for particularity transitional Korean society at the time. Experience of the writer has seen one side of the unjust society of society closed, has caused the anger, violence and absurdity of the same age, and at the same time exposing the beings that have been distorted, writer basis will or people beyond that I have put in the work in the epic technique.
Author(s)
김진희
Issued Date
2014
Awarded Date
2014. 2
Type
Dissertation
Publisher
부경대학교
URI
https://repository.pknu.ac.kr:8443/handle/2021.oak/1602
http://pknu.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000001967011
Alternative Author(s)
Kim Jin Hui
Affiliation
교육대학원
Department
교육대학원 국어교육전공
Advisor
김남석
Table Of Contents
Ⅰ. 서론 1
1. 연구 목적 및 필요성 3
2. 선행연구 검토 8
3. 연구의 방법 13

Ⅱ. 서사극의 이론과 한국적 수용 16
1. 서사극의 성립배경 16
2. 브레히트의 서사극 18
3. 소외효과와 서사적 기법들 21
가. 해설자 23
나. 음악 24
다. 서언과 발문 26
라. 장면 제목과 내용 설명 27
마. 관객을 향한 대사 27
바. 극중극 28
4. 서사극의 한국적 수용 29

Ⅲ. 윤대성 초기 희곡의 서사극적 특성 33
1. 와 의 내용 연구 33
가. 웃음의 서사적 기능: 비판적 관찰자로서의 웃음 33
(1) : 사회적 희극성을 바탕으로 한 현실의 형상화 34
(2) : 패러디와 아이러니를 통한 현실의 형상화 36

나. 폭력을 행사하는 사회에 희생되는 개인 38
(1) : 직접화된 폭력에 희생된 주체 39
(2) : 간접화된 폭력에 희생된 주체 41

다. 작가의 부정적 현실 인식과 비판의식 45
(1) : 역사 해석과 전통 수용을 통한 현실 비판 46
(2) : 문명의 광기와 인간성 파괴 48

2. 와 의 서사극 기법 연구 50
가. 소외효과 50
나. 극중극 54
다. 코러스 59
라. 에피소드식 장면 구성 62

Ⅳ. 윤대성 초기 서사극의 한계와 의의 68

결론 73

참고문헌 78
Degree
Master
Appears in Collections:
교육대학원 > 국어교육전공
Authorize & License
  • Authorize공개
Files in This Item:

Items in Repository are protected by copyright, with all rights reserved, unless otherwise indicated.