매체의 폭력성에 관한 연구

Abstract

A Study of Media Violence -Focusing on Camera and Photographic Images of Violence-

Park Jonghoon

Department of Visual Communication, The Graduate School of International Studies, Pukyong National University

Abstract

This study of the camera and the photographic images of violence are reported on. Photographs from the shoot behavior resulting from photographic images various forms of violence are being imposed. Violence is not simply smash hit. When shooting with the camera target, until shortly before shooting to minimize the opponent's movements moments after shooting film and digital capture and fixed in the name of the makes. In this process, the photographer and the other was in the same time and space, even though the walls are made invisible. But the photographer is programmed into the camera's mechanical actions taken within the limits because it is trapped in his thinking that even the camera does not realize. Thus the photographer and the target dominated the subjugated to the camera as the photographer chain will have a pattern of domination. It also promises a variety of languages ​​and character of the system, but there is no system for photographic images as well as promises and does'll say anything. How should the photographic images, the audience will be. In each of the audience will experience a different environment and have lived at one picture when viewing images due to the experience and knowledge have formed stereotypes are interpreted watch. Penetrated the author's intentions correctly and accurately analyze and narrow the gap in understanding, rather than openly to the audience's attitude is more important. Thus, the audience may be the subject of interpretation and photo manipulation and distortion of the image the photographer or the subject can be an editor. Camera and photographic images with forms of violence photographer, the subject, the applied violence of the audience are in close proximity. Violence of the machinery from the characteristics of the original camera with additional factors such as customs uncritically accept, if granted by another form of production could develop new violence. 'Loss of aura' brought to public consciousness through picture by estrangement never located deep in our subconscious can experience the world. A picture of history that changed the world, as the violence of the picture in the drama of Bacon's works and Artaud, who shocked the audience, as if one accepts this as a positive stimulation, these new turning point in the play as stated in the theater, a picture with him would expect the same development. The art that evokes thrill and shock, eliminating the walls between the target and finally reflect on their own unique works of art that helps to perform the role of. At the same time in pictures and images of the camera that is passed from the photographer and the subject beyond the boundaries of the island by hiding in the pictures away from the negative view of violence is also new and different perspective to accommodate the positive attitude is needed. Photographs of the violence impact of visual media today is being actively used shall be understood through the social context. Photographs that latent violence and to live at a distance nor time. So, gradually expanding everyday to go into the nature of the media and the arts have on the impact violence in the ongoing quest to continue in the future should be.