하기와라사쿠타로와 김춘수 비교연구
- Abstract
- A comparative study of Hagiwara Sakutaro and Kim choon soo.
- focus on pastiche -
Kim mi-ja
Department of Japanese Language and Literature, The Graduate School. Pukyong National University
Abstract
The purpose of this study is a comparative study about Hagiwara and Kim choon soo. Hagiwara is called a consummator of a poem in a colloquial of Japan, he built an unusual poetry up. And Kim choon soo is a poet improved the status of Korean modern poem through 'Flower' which is his major work.
By the way, Hagiwara and Kim choon soo had once a realation of a teacher and student.While studying in Japan, Kim choon soo had attended a lecture of Hagiwara's poem-theory. And when he was writing works as an imitator, he was strongly affected by Hagiwara.But this fact have not come out into the open. Thus, there was not any comparative study of two poets.
-So, the meaning of this study can be summarized following three parts.
The first, this study is the first study in comparative study of Hagiwara and Kim choon soo. In spite of studies of two authors have been for a long, this study will more or less fill up the blank of the time was absolutely no mention about the interactional relation of two poets. I except this study will present new viewpoints for each works.
The second, Hagiwara's pastiches about Edgar allen poe and Oote takuji were newly found. I have done a comparative analysis through a voluptuous grave which is Hagiwara's work and works of Poe without depending on an existing analysis.
The third, this study make clear comparative relation through comparative analysis with Kim choon soo's works associated with Hagiwara's works in Kim choon soo's early works. Kim choon soo's pastiches from Hagiwara of the middle poem is less seem than those of the early poem.But, I could identify being some pastiches in the mi
ddle poem of Kim choon soo.
- Author(s)
- 김미자
- Issued Date
- 2012
- Awarded Date
- 2012. 8
- Type
- Dissertation
- Publisher
- 부경대학교
- URI
- https://repository.pknu.ac.kr:8443/handle/2021.oak/25300
http://pknu.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000001965183
- Affiliation
- 부경대학교 대학원
- Department
- 대학원 일어일문학과
- Advisor
- 최연희
- Table Of Contents
- Ⅰ. 서론 1
1. 연구 목적 1
2. 선행 연구 8
3. 연구 방법 18
Ⅱ. 본론 27
제1장 하기와라 사쿠타로의 시의 세계 27
1. 하기와라 사쿠타로의 시의 세계 27
1)동경의 양상-새봄과 신세계 37
1-1. 대나무(竹),풀줄기(草の) 37
1-2. 밤기차(夜汽車),남쪽 바다로 갑니다(南の海へ行きます) 46
2)우울의 양상-상실감과 고독한 심상 55
2-1. 고양이(猫),위험한 산보(危險な散步) 55
2-2.파리의 노래(蠅の唱歌),우울한 꽃놀이(憂鬱なる花見) 64
3)하기와라 사쿠타로의 패스티쉬 詩作技法 73
제2장. 김춘수와 하기와라사쿠타로 97
1. 패스티쉬(상호텍스트성-영향(influence)과 포용의 작품들) 97
1)봄밤(春夜)과 늪, 부재, 길바닥, 葉篇二題 104
2)박테리아의 세계(ばくてりやの世界)와 華胥國, 다시華胥國, 봄안개 111
3) 여행길(旅上)과 창에 기대어 118
2. 김춘수의 패스티쉬 詩作技法 126
3. 바다 시에 나타난 패스티쉬. 128
1)하기와라 사쿠타로의 바다 130
1-1. 희망과 조망 130
1-2. 생리적 심리주의 135
2) 김춘수의 바다 139
2-1. 주체와 물상 139
2-2. 굴절된 시각주의 147
Ⅲ. 결론 156
별첨 162
참고문헌 170
- Degree
- Doctor
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